Teagan Bradway is Professor of English at SUNY Cortland and a Society for the Humanities Fellow at Cornell University for 2025-26. In 2024, Bradway was a Hunt-Simes Visiting Junior Chair of Sexuality Studies with the Social Sciences and Humanities Advanced Research Centre at the University of Sydney. She is the author of "Queer Experimental Literature: The Affective Politics of Bad Reading" (Palgrave, 2017) and she is currently completing a book on queer forms of engroupment and co-writing “Endless Love” with the late Elizabeth Freeman.

Teagan Bradway is Professor of English at SUNY Cortland and a Society for the Humanities Fellow at Cornell University for 2025-26. In 2024, Bradway was a Hunt-Simes Visiting Junior Chair of Sexuality Studies with the Social Sciences and Humanities Advanced Research Centre at the University of Sydney. She is the author of "Queer Experimental Literature: The Affective Politics of Bad Reading" (Palgrave, 2017) and she is currently completing a book on queer forms of engroupment and co-writing “Endless Love” with the late Elizabeth Freeman.

Eleanor Johnson is Professor of English at Columbia University. She has published three scholarly monographs on medieval literature, theology, and environmental history, all with University of Chicago: Practicing Literary Theory (2013), Staging Contemplation (2018), and the award-winning Waste and the Wasters (2023). Her newest work pivots to think about the history of women's rights and horror: her 2025 book Scream with Me: Horror Films and the Rise of American Feminism (Simon and Schuster) analyzes the relationship between horror and women's liberation in the 1970s, and her forthcoming 2026 book Monstrous Bitch: A History of Terrifying Women (Princeton) analyzes the long history of the demonization of women in Western culture. Her current books in progress center on Dante's Inferno and Mary Shelley's Frankenstein.

Eleanor Johnson is Professor of English at Columbia University. She has published three scholarly monographs on medieval literature, theology, and environmental history, all with University of Chicago: Practicing Literary Theory (2013), Staging Contemplation (2018), and the award-winning Waste and the Wasters (2023). Her newest work pivots to think about the history of women's rights and horror: her 2025 book Scream with Me: Horror Films and the Rise of American Feminism (Simon and Schuster) analyzes the relationship between horror and women's liberation in the 1970s, and her forthcoming 2026 book Monstrous Bitch: A History of Terrifying Women (Princeton) analyzes the long history of the demonization of women in Western culture. Her current books in progress center on Dante's Inferno and Mary Shelley's Frankenstein.